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Everyone teaches the cycle of 5ths. But no one, in my experience, has taught the implications. For example, C is the 5th up from F. There is only one note different in the scale. Bb becomes B. And that is true of all the modes in both of those scales. (You can use B in the F major scale because that is the Lydian major note). So if you see a change of this kind don't worry too much about the change note although for musicality purposes the chord tones are different.
But if you go up or down a minor third then the game changes a lot. Go up to Eb from C and you have 3 notes different. Go down a minor third to A and you have 4 notes different. That's a tricky change - one to worry about.
For example, if you want to practise playing "outside" the key it is no good moving just from C to F. Better to try A. (Or the tritone substitute Gb. Yeah right.)
In this blog We will produce tips for jazz piano, and jazz guitar together with jazz saxophone. We will cover jazz chords, jazz guitar chords, and we will deal with jazz scales. We will cover jazz songs. This site is all about jazz improvisation.
This workshop is for players in the Jazz Smugglers band and their friends. If you can play well contact me please. We practise the more difficult stuff. We go for new fresh angles, things we have not done before. Great fun. We play every other Sunday evening at Bosham, Sussex, at 7.00. email preferred jazzsmugglers@yahoo.co.uk www.jazzenthusiasts.com or text to 07533 529379
Thursday 6 December 2012
BASIC JAZZ. THE CIRCLE OF 5THS
Labels:
jazz chords,
jazz guitar,
jazz guitar chords,
jazz improvisation,
jazz piano,
jazz saxophon,
jazz scales,
jazz songs
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Keep it helpful please - and clean.